pablo torres gómez is sound artist, anthropologist and researcher whose practice listens to geoaffective assemblages, attending to their rooted memories and to the possible futures emerging within them. from vibratile grammars, pablo navigates these assemblages and weavings through the aural, where acoustic manifestations —rather than aesthetic object— unfold as a relational modality. 

in this becoming, these traces that traverse the mineral, the aqueous, and the atmospheric reconfigure ways of ecological sense-making in attunement with what is silenced, obscured, and dispersed. in doing so, they desediment transversal spaces for interspecific encounters and possible worlds.

torres gómez is a phd candidate in artistic practice at the hochschule für bildende künste (hfbk) hamburg. he holds a b.a. in social and cultural anthropology and an m.a. from the interdisciplinary program design & computation at the universität der künste (udk) in berlin. he is associate director of the listening biennial 2025, part of the artistic research platform new practice in art and technology and collaborates with knowbotiq, nodes, ~pes, entre moléculas, and s4ntp. pablo’s work has been activated in contexts such as documenta15 (kassel), ars electronica (linz), tba21’s ocean archive, monopol and floating (berlin), helmhaus (zürich), kunstmuseum stuttgart, the national house in ústí nad labem, kunstraum niederoesterreich (wien), among others.